CONNECTIONS

Yesterday I read that the National Endowment for the Arts had awarded a $40,000 grant to someone to develop a video game based on Thoreau's "Walden." I thought, no wonder the Earth is in the state that it's in; the Earth is no longer real to us.

Then I came home and found a postcard in my mail box from a 13-year old named Wiebke who lives on an island. Wiebke swims in the North Sea during the summer. Reading that, I was reassured--somewhere in the world, a teenager was actually smelling sea air, walking on sand, feeling the temperature of the water.

Wiebke and I have never met. We connected through Postcrossing.com. After registering on the site, you ask to send a postcard. A name and address and an ID number will be given to you (and emailed to you). Some people ask for particular kinds of postcards, and most people give a little information about what their interests are. When they receive your card, the recipient registers it with Postcrossing, using the ID number. Your name is then added to the list of people who will receive cards.

It's an interesting blend of modern technology and old-fashioned communication. I love these brief glimpses into someone else's life. So far I've received 15 postcards from people in 10 different countries: China, the Czech Republic, Finland, Germany, the Netherlands, Latvia, Poland, Russia, Spain and Taiwan.

While the politicians and one percent go about their dirty business, the rest of us live our lives--riding the subway, greeting colleagues, running errands on our lunch hour, stopping at the store to pick up something for dinner, checking the mail. Mixed in among the pleas for donations and announcements of amazing bargains on things we don't really need, there may be a post card. The image may be a drawing of a sparrow, a photograph of a Chinese monastery, pictures of sea shells. On the other side will be one or two unfamiliar stamps, and a handwritten message from a stranger: "Greetings from beautiful and proud POLAND! I wish you all the best. Anne." Except Anne isn't a stranger, really. 

I can't explain why this makes me feel better about the world; as if these small bits of image and words that have traveled so many miles are helping to balance some sort of scale. It seems to me that they weigh heavily for things that are so light. Maybe knowing that there are people ho want to connect--ever so briefly--reassures me that we aren't as far apart as the politicians and the one percent make it seem.

Simple Joys

My mother asked me to look for a piece of sheet music on the computer--"What'll I Do?" by Irving Berlin. I told her I would, but I wondered if she might have it already. I looked inside the piano bench first. I didn't find, "What'll I Do," but I found my parents' "song," "Always," as well as "Someone to Watch Over Me," "Embraceable You," "I'll Be Seeing You," and "As Time Goes By," among others.

Then I began going through a large plastic box of sheet music in my closet. Halfway through I shouted, "Hah!" and walked into my mother's bedroom, to show her the music for "What'll I Do?" I haven't seen her so happy in a long time.

From the moment she asked about it, I wondered what my mother intended to do with this particular piece of sheet music. After I showed it to her, she returned to her nap and I placed the music on the piano stand.

My mother's parents gave her that piano. I couldn't remember the last time I heard her play it.

After her nap, my mother sat down at the piano, her dominant right arm in a sling, opened the sheet music and began to pick out the melody with her left hand, singing the words softly, in a quavering voice. It was incredibly moving to listen to, and to watch.

A couple of months ago, my mother had asked me if I was going to take the piano, meaning, we both knew, if I was going to take the piano after she died. 

I told her I couldn't. I didn't think I'd have enough room, and besides, I hadn't played the piano in years, wasn't even sure if I could remember how.

But later, I started thinking that I could take lessons again.

Watching and listening to my mother play and sing, purely for her own pleasure, I had a vision of myself sitting there, playing and singing the old standards that I love. My mother, who will be 87 this month, still has things to teach me.

TORTURE CHAMBER

Picture this: five women standing with their right side up against a wall, right arm stretched up high, singing "Lean on Me." How does this compare tothe image that comes to your mind when you read the words "yoga class?"

This was not a spontaneous sing-a-long; the teacher started it.Does your yoga teacher sing pop songs to you? And encourage you to join in? Does your yoga teacher have a "Torture Chamber" sign hanging on the wall? Mine does. He also makes terrible puns.

I take Buddha Body Yoga with Michael Hayes one night a week. I use chairs, bolsters, blocks, blankets and straps for support when I need it. I also use a yoga wall. Michael asks lots of questions. At the start of class he wants to know if anyone has any problems he needs to be aware of. Knees? Back? During class he'll ask, "How's everybody doing?" as well as the really big question, "Are you breathing?" which is actually more of a reminder than a question.

If something hurts, I say so. Michael might make an adjustment that stops the pain, or he might croon a satisfied "yes" which tells me that the stretch is going what it's supposed to do, even if I don't like what it's doing.

I'm never self-conscious about my body in Michael's class. I feel like I can be myself there, make faces and "sound effects"--noises like R2D2 made when it was scared.I may get a little out of hand occasionally, but Michael will just ask--as he did the other night--"Would you like a little cheese with your whine?"

The other day I went to a "real:" yoga studio because I'd registered for a JourneyDance class that was being held there. It was modern, with the "right" decorations, like a wall of bells. It was beautiful, and the majority of the clients and staff would probably be considered beautiful too--young, slender, clad in attractive gear. If I tell you that the studio's web site has a review from Elle magazine, maybe that will give you an idea of the kind of place it is. It felt sterile to me. It felt oppressive. I missed Michael's "Torture Chamber" sign.

BY HAND

Earlier this year I received a letter from a friend in Canada in response to my holiday card. I receive letters so rarely now that it was almost an exotic experience--opening the envelope, feeling the paper, seeing the handwritten pages. As I read, it was as though I was sitting there with Lisa, enjoying brunch and watching the other people in the restaurant. So when I discovered A Month of Letters

http://www.lettermo.com

--a challenge to mail at least one item through the post every day it runs during the month of February--I signed up immediately, even though the first day--February 1--was more than half over.

I posted an offer in my Facebook status to send something to anyone who sent me their address in a message, but no one took me up on it. I was disappointed, but some people are going to get something from me whether they want to or not.

My first letter, sent on Thursday, February 2, was a card to my cousin Susan, using new stationery I bought on Fab.com.

When I came home that night, there was a postcard in my mailbox from my friend Dennis, a fellow poet and a regular correspondent. I love getting mail from Dennis, as he frequently includes a surprise with his letter or card; I've received poems, books, blank journals and calendars from him over the years. Each communication is imbued with his energy and enthusiasm; I immediately feel as though he's right there with me.

In jotting down names of people to send something to, I've found myself thinking of people I'd like to write a letter to, but can't, because they've moved on to a place there isn't an address for, a place the post office can't deliver to: my father, various aunts and uncles, my grandparents, even some friends. I might have to write some poems instead.

 

ANOTHER DAY, ANOTHER FAILURE

This weekend I was signed up for a two-day course in shamanic journeying. I left at the first break.

Things started off well enough--but then, they almost always do. Then one of the leaders said we would be working with each other, and I dread those exercises where you have to pair off or form a team. I'd thought shamanic journeying was something you could do on your own.

Then the same person started talking about the shaman's use of music and how everyone has their own "soul song." And--spirits forgive me--all I could think of was the movie "Happy Feet," and how that one penguin couldn't sing his "heart song" and had to dance instead. But of course, I don't dance. I don't sing or dance. So I left.

I came home, turned on the Saturday afternoon Metropolitan Opera radio broadcast--a recording of a 1970 performance of "Norma," with Joan Sutherland and Marilyn Horne--and checked Facebook, where I saw Bywater Books question of the week, courtesy of Z Egloff: "What do you absolutely, positively have to do before you die?"

Here's the answer that came to me: nothing. There are things I want to do, things I'd like to do, things I hope to do--but nothing I absolutely, positively have to do before I die.

Even my house--I could just as easily leave the land alone for the rest of my life as build a house on it, and sometimes I think I'll do just that.

This dancing thing--I don't really know how to explain it. At the Body Electric workshops they put on music and tell us to move around to loosen up--they don't even use the word "dance" as I recall--and I'm miserable. I just sort of sway and wait for it to be over. I don't know what I'm so afraid of.

The thing is, I live in my head, and not in my body. In my head I do Irish dances, tap dances, waltzes. Right now I'm hearing and seeing Gene Kelly singing and dancing in the rain. Last year I imagined myself doing a sort of dance karaoke--an imitation (very poor, at best) of that classic, magical scene in "Singin' in the Rain." I imagined myself doing it in an actual rainstorm. I need to watch the movie again--and again. Maybe I'll learn something from it. Maybe one day I will sing and dance in a rainstorm. Though it isn't something that I absolutely, positively have to do.

 

 

 

EVERYTHING HAS A NAME

Last night I received a book I've been waiting for since September: Dragonflies and Damselflies of the East by Dennis Paulson (Princeton Field Guide). When I walked what is now my land for the first time, I saw birds flying to and fro, and then I saw a dragonfly. If I'm going to be co-habiting the land with him (or her), I'd like to know his name.

Everything has a name. I'm not sure that I really appreciated this until a couple of years ago, when I was walking on Broadway, looked--really looked--at a bird moving around on the sidewalk, and asked myself: "I wonder what kind of bird that is?" (A European starling, as it turned out.) I remember that it seemed like a very important question, one that I had to get an answer to. Finding the answer changed my life, because it changed the way I thought about the world.

Birds, butterflies, bugs, moths, flowers--they all have names. The field guide gives the names of 336 damselflies and dragonflies. 336! Sweetflag Spreadwing, Ruby Meadowhawk, Calico Pennant--the world resounds with the poetry of identity. We're too separate from the natural world--mesmerized by the screens of our electronic devices instead of sunsets--and I cannot help but think that if we knew the names of more of the living creatures we share the Earth with we might be more careful about how we treat it and them.

When I was originally dreaming about my house, I yearned to plant roses, lilacs and peonies. But after spending a couple of hours on my land last fall, I want to enhance what is already there. There are wetlands on the property, some stream frontage, and the pine grove. These are the things that give the land the spirit of place that drew me to it.

I want to learn the names of all the trees, birds, plants and dragonflies on my property. Then, if my youngest cousins come to visit, I want to tell them, "Do you know that everything has a name? You can spend your whole life learning them. Look! Let's start with that dragonfly, over there."

DREAMING HOME

New Year's superstitions: wear red for luck and do whatever it is you love to do and want  to be doing throughout the coming  year. Fortunately, the Metropolitan Opera shop had a red 2011-2012 season tee shirt, which I wore New Year's day with red undies and carnelian earrings. And that afternoon I started sketching a new design for my house. The design I came up with at Yestermorrow in September 2008 was rectangular. But lately I've been thinking about building a round house. When I told that to my friend Manuela at dinner this past December 1, she told me that was the kind of house she'd always imagined me in.

I started researching round houses. Apparently they hold up better than square or rectangular buildings during storms, and are more energy efficient. If you stop and think about it, so much in nature is round or curved. I found some round house floor plans on the web, and began thinking about how to divide up a round space.

Then, on December 31, I had a dream in which I heard the words: "The library is the heart of the house."

I've been planning for a library all along--what writer and/or devoted reader wouldn't?

And so on January 1 I sketched a house plan where the library would be in the very center of the house--a long room with shelves on both sides, and an arched opening--no door.

I'm excited about my house plan. And I've given my home-to-be a name: Grove House, for the grove of pine trees on the land.

UNEXPECTED GIFTS

At the Architecture and Design Film Festival the other week, the festival Director, Kyle Bergman, introduced me to one of the filmmakers as a poet. In fact, Kyle used some sort of complimentary word right before "poet," but of course I've forgotten it as I only remember the bad things that people say about me. Or that I imagine they say about me. I was touched by the introduction. I've been writing poetry, on and off, since I was a teenager, yet I haven't thought of myself as a poet in a long time. Being introduced that way reminded me of earlier days in New York City when Regie Cabico was curating a reading series, Poets on the Ledge, at a little cafe called Papi Louis. Regie gave me my first poetry reading gig. That was a time in my life when I went to readings regularly, and met a lot of other poets. And the best part about it was that when we saw each other, we talked about how our writing was going, but rarely mentioned our day jobs.

In the process of sorting through the papers in my apartment, I've found poetry and more poetry; more than enough for a book. I've thought about putting a book together before, but I'm serious about it now. A title that I previously considered was "In the Familiar Refuge of Silence," but recently I started thinking about "Armadillo." Feel free to weigh in.

In my decluttering I've also come across encouraging e-mails from other writers that I saved. I suspect that at the time I received them, they were the equivalent of a life raft, something to grab at and hang on to. Unearthing them now feels like finding a message in a bottle; a message from the Universe.

So thank you, Kyle. In reminding me of my past, you have given me a gift for my future. And Universe, keep those messages coming. I'm listening.

A Beautiful Day

What I remember most is how beautiful the day was. So beautiful that you might have been tempted to call in sick or play hooky from school. Not too warm, not too cold, a pristine blue sky. I was working from 9:30 to 5:30 then. And when the subway stopped at Christopher Street, and stayed in the station, doors open, I worried that I would be late. So I left the subway and walked up to the street, thinking I would go over to Avenue of the Americas and take the subway there. When I came out of the station, the street was filled with people looking south. I looked too, and saw fire and black smoke pouring out of one of the World Trade Center towers.

I didn't speak to anyone. I walked over to Avenue of the Americas, discovered that no trains were running, and phoned my office. I got Joanne's voicemail and left a message telling her I would be late. I said it looked like there was a fire in one of the World Trade Center buildings and I hoped everyone was o.k.

I began walking downtown. I passed a truck with its radio on--someone was saying the United States was under attack. The whole situation seemed surreal to me.

Our offices were at 30 West Broadway then--across from World Trade Center 7,  just a couple of blocks from the World Trade Center complex. I felt compelled to do whatever I had to do to get to work; I didn't want to be accused of not trying, because it was such a beautiful day. And I wasn't worried--I knew if I got close to any place that was dangerous, the NYPD would have it cordoned off.

I had made it as far as Franklin Street when I heard an explosion. I thought a bomb had gone off. I watched as one of the twin towers crumbled. Then I saw people running toward me on the street, followed by a huge cloud of dust. A voice in my head said, "It's not safe here." I turned, walked up a side street, turned again and began walking uptown.

I felt as though I was doing everything automatically. I saw and heard things without reacting. Walking up one of the small streets in the Village, I heard a man say, "My neighbor's wife works in the other tower, and he's really nervous right now." When I got to 10th Street, across from the Jefferson Market Library, I heard someone say, "There goes the other one," and watched as the other tower collapsed.

I became analytical about my route. I decided to stay on the Avenue of the Americas to avoid the Empire State Building on Fifth and Madison Square Garden on Seventh. When I got to 42nd Street, I went over to Eighth Avenue. As I walked up Eighth people were buying postcards of the World Trade Center. When I reached 59th Street, I thought I'd walk up along Central Park, because whoever was attacking us probably wouldn't bomb trees.

As I walked I thought about my cat, Damon, who had died in May. I wished that he would be there waiting for me when I got home. It occurred to me that I had nothing in my apartment that was alive--no cat, not even a plant. At some point it also occurred to me that I hadn't had breakfast and I felt guilty for wanting to eat. But I was hungry and I bought a bagel at H&H on 80th Street and Broadway.

I remember Regie Cabico called me. And Jason Schneiderman--he was calling everyone he knew, just to make sure they were alright. At some point I called my parents to let them know I was o.k.

Here is something else that I remember: reading in the New York Times that President Bush had visited Ground Zero, and one of the fire fighters, or one of the policemen, had said that he looked "scared, like a mouse." And I remember looking at a photograph of Bush, sitting next to his father at a service in the National Cathedral. Everyone around him appeared solemn, but the President had what looked like the beginnings of a smile on his face. I could almost picture a quote bubble over his head, with the words, "My approval ratings just went up."

In the last ten years, I haven't gone downtown very much. I won't go there unless I absolutely must. I don't understand why people want to visit Ground Zero. I'm appalled by people who sell, and people who buy, fake crystal souvenirs of the twin towers.

They're building another tall building--taller than the lost towers. Naturally, when a phallic symbol is destroyed, there's a lot of anxiety until it is back up again, bigger and better than ever. But I want to ask the architects and contractors and investors: do you want your wife or husband, your daughter or son, your sister or brother to work on the top floor of this building?

I thought they should make a park. A beautiful, peaceful place with lots of trees and flowers, and maybe some kind of non-denominational chapel/meditation space, with materials--building materials, artwork--donated by all of the countries of the world--a true international collaboration. Isn't it amazing that someone who had lived in New York City for 25 years could have been so naive about the realities of real estate in New York City?

The other day on the subway I noticed a face I hadn't seen in awhile--George W. Bush. It was staring out at me from an advertisement for a television interview about his 9/11 memories. I don't often feel the urge to deface advertising on public transportation, but I did then. I wanted to smear that face with blood.

Awe

I am privileged to know many talented writers and poets, and I am frequently inspired, moved, and humbled when I read their work. But only twice in my life have I thought that I might as well give up writing because I could never create something so beautiful, and so perfect, as what I was listening to at that moment in time. The first time that happened Mark Doty was reading from his memoir Heaven's Coast and I was in the audience, crying as I listened.

The second time was in a fiction workshop at the first Lambda Literary Foundation Writers' Retreat, when a young man named Justin Torres read his work.

Mark Doty, of course, is famous, and deservedly so. Justin Torres is at the start of what I anticipate will be a stellar career. I could happily endorse dozens of books but you really need to read Justin's debut novel, We the Animals. And prepare to be awed.

Speaking Truth

In the BBC production of Jane Eyre starring Toby Stephens and Ruth Wilson, Mr. Rochester, who is hosting a house party of upper class people, asks Jane if all of his guests abandoned him, what she would do. Rochester posed the question because he has a secret wife hidden away in a tower. Jane, of course, assures him she'll stand by him. My clutter is the crazy spouse that I don't talk about and almost no one has ever seen. And my inner voice predicted dire consequences if anyone ever found out about it. It told me my family and friends would be horrified; would never speak to me again.

So I was more than a little nervous posting the link to Brooks Palmer's blog entry for August 5. It was a kind of coming out.

I was moved by the positive responses--public and private--I received. I realized that when you speak your truth, when you allow people to see who you are, with all your vulnerabilities and imperfections, the result can  be wonderful. You can be embraced instead of shunned.

Two friends of mine recently had similar experiences speaking their particular truths, and received similar responses.

I think the time has come for all of us to begin speaking our truths. Not just for ourselves, but for the world at large. There are people out there trying to hold everything down; we need to counteract that so things can be lifted up instead. When we speak our truths, we all benefit.

As for my inner voice--last week someone gave me a gift by describing that voice as one of those toys that kids drag along behind them, like a quacking duck. I loved that image and have been savoring it since then. It made me laugh, and offered me a way of conceptualizing the voice as background noise as opposed to an authoritative judge. And it offered the tantalizing possibility that one day I might be able to let go of the string and leave the voice behind.

Enough

Yesterday I had a clutter busting session with Brooks Palmer. I've read several books about de-cluttering, but I responded to Brooks' insistence on treating ourselves with gentleness throughout the process. It's so easy to take the path of self-hatred and despair. "How did I let this happen? There's so much of it. Why bother?" Brooks arrived and we began with one bag. Some papers were easy to let go--e.g., old to-do lists, but others had to be kept, such as financial papers. At one point I found myself holding a print-out of a quotation. I subscribe to several "Quotes of the Day" and "Quotes of the Week" e-mail lists, and I've printed some of them out, kept the e-mails in my in-box, thought about writing them into a blank journal--all "just in case" (three dangerous little words to a pack rat) I want to dip back into them at some point.

Brooks said, "You have enough quotes, Carol. You don't need anymore. You already have that knowledge. It's like you've graduated but you're still going to classes."

I realized he was right. I felt it inside, jus the way I feel it inside when I read one of those quotes and get this internal nod. It's all available to me within; I just have to access it. We've all forgotten what we know; we need to remember.

See http://brooks-palmer.blogspot.com for his view of our session. It's a little scary, posting this link, but--what the hell.

Who loves ya, baby?

Several years ago, having lived in a studio apartment since 1976, I began thinking about a house. Or maybe I should say dreaming about a house, because the experience had that quality--nothing real, nothing solid--just a kind of wistful longing. After all, I'd grown up in a house--a brick Cape Cod with a full basement, kitchen, dining room, living room with a fireplace, three bedrooms, one bath and a screened porch on the second floor. On New Year's Day of whatever year it was, at a friends' annual open house party, I remarked, "I've been thinking about a house," much in the same way I might have said, "I've been thinking about going on a safari." My friend responded, "Do you know how much work a house is? You can't even take care of an apartment, let alone a house. You're too old for a house." And so it went on, throughout the day.

Riding on the train back to Manhattan that night, I was stunned that someone I'd thought of as non-judgmental had such a low opinion of me. But there was another, quieter part of me that thought, "I'll show her."

At some point I read an article about geothermal heating and cooling, and thought that if I was going to do something like that, it might be easier to install it first and then build a house as opposed to fitting it in with an existing house. And that's when my journey really began. That's when I started to think about building a home.

Kojak's trademark line came to mind the other day--"Who loves ya, baby?" Because when I announced that I'd bought land, I got some very different responses.

My mother, on the surface, appeared to be supportive, though, as I might have expected, she was focusing on everything that could go wrong. And even as she was telling me, "You're smart; I'm sure you know what you're doing," what I heard was, "Are you sure you know what you're doing?" Over dinner, my neighbor told me how many times his uncle's basement had been flooded by a nearby stream. "I'm not going to have a basement," I said, but he was already talking about the dangers of pine trees. "Pine trees are very flammable; they go up like a torch. I'd cut them down and plant maple trees instead."

But my friends were very excited for me. Lisa wrote that if I had pines I'd have owls.

Owls!

Who loves ya, baby? The ones who encourage you to realize your dreams--no matter how old you are.

Who loves ya, baby?

Several years ago, having lived in a studio apartment since 1976, I began thinking about a house. Or maybe I should say dreaming about a house, because the experience had that quality--nothing real, nothing solid--just a kind of wistful longing. After all, I'd grown up in a house--a brick Cape Cod with a full basement, kitchen, dining room, living room with a fireplace, three bedrooms, one bath and a screened porch on the second floor. On New Year's Day of whatever year it was, at a friends' annual open house party, I remarked, "I've been thinking about a house," much in the same way I might have said, "I've been thinking about going on a safari." My friend responded, "Do you know how much work a house is? You can't even take care of an apartment, let alone a house. You're too old for a house." And so it went on, throughout the day.

Riding on the train back to Manhattan that night, I was stunned that someone I'd thought of as non-judgmental had such a low opinion of me. But there was another, quieter part of me that thought, "I'll show her."

At some point I read an article about geothermal heating and cooling, and thought that if I was going to do something like that, it might be easier to install it first and then build a house as opposed to fitting it in with an existing house. And that's when my journey really began. That's when I started to think about building a home.

Kojak's trademark line came to mind the other day--"Who loves ya, baby?" Because when I announced that I'd bought land, I got some very different responses.

My mother, on the surface, appeared to be supportive, though, as I might have expected, she was focusing on everything that could go wrong. And even as she was telling me, "You're smart; I'm sure you know what you're doing," what I heard was, "Are you sure you know what you're doing?" Over dinner, my neighbor told me how many times his uncle's basement had been flooded by a nearby stream. "I'm not going to have a basement," I said, but he was already talking about the dangers of pine trees. "Pine trees are very flammable; they go up like a torch. I'd cut them down and plant maple trees instead."

But my friends were very excited for me. Lisa wrote that if I had pines I'd have owls.

Owls!

Who loves ya, baby? The ones who encourage you to realize your dreams--no matter how old you are.